The patterns which are based on the aforementioned melodic and instrumental devices define a characteristic part of Michael Brecker's melodic vocabulary. Through the analysis it was discovered that most of the chosen devices appear as patterns. Some of the devices and their usage could not be discussed deeply enough in the three solo analyses alone, and further examples were therefore traced from Brecker's other performances. The use of these devices was divided into functional and non-functional. For the instrumental devices, the focus of the analysis was on alternate fingerings, multiphonics, and fingering mannerisms. In the analysis, attention was given to the melodic devices which are based on the diminished, altered, pentatonic, and augmented scales, and on the superimposed "Giant Steps" chord progressions. In this study, the aim was to define and describe certain melodic and instrumental devices which are characteristic of Brecker's expression. The applied theoretical framework of contemporary jazz improvisation is based on David Liebman's "A Chromatic Approach to Jazz Harmony and Melody," and various other works.
David Baker's "Giants of Jazz" series was applied as a model for the form of the study. The analysis is based on selected audio material and transcriptions. The present work approaches Michael Brecker's style through a detailed analysis of his solos in the compositions "Straphangin'," "Nothing Personal," and "Peep." The approach to this analysis is similar to that of which jazz musicians use themselves.
Michael Brecker Altered Lick.1 Brecker and Patterns An Analysis of Michael Brecker's Melodic and Instrumental Devices Thesis for the degree of Master of Music Sibelius Academy (Helsinki, Finland) Department of Composition and Music Theory Autumn Spring 1999 Ari Poutiainen Ari Poutiainen 1999 ALL RIGHTS RESERVEDĢ Brecker and Patterns - An Analysis of Michael Brecker's Melodic and Instrumental Devices ABSTRACT Only a few scientific studies or articles exist on Michael Brecker's improvisational style.
Michael Brecker and Charlie Parker, while some of his favourite guitarists were Django Reinhardt, Joe.Download the PDF file.
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